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Alfred Bester. The Demolished Man

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Tail's suave questions. Many clients lost patience and left the
store. One sat quietly in a corner, too wrapt in a crystal recording to
realize he was left unattended. Nobody knew that Jackson Beck was completely
tone-deaf.


Powell to staff: Reich apparently found the book accidentally. Stumbled over
it while he was looking for a present for Maria Beaumont. Pass the word. And
where's that girl?


In conference with the agency that handled copy for the Monarch Jumper ("the
only Family Air-Rocket on the market"), Reich came up with a new advertising
program.
"Here's the slant," Reich said. "People always anthropomorphize the products
they use. They attribute human characteristics to them. They give 'em pet
names and treat 'em like family pets. A man would rather buy a Jumper if he
can feel affectionate toward it. He doesn't give a dame for efficiency. He
wants to love that Jumper."
"Check, Mr. Reich. Check!"
"We're going to anthropomorphize our Jumper," Reich said. "Let's find a girl
and vote her the Monarch Jumper Girl. When a consumer buys one, he's buying
the girl. When he handles one, he's handling her."
"Check!" the account man cried. "Your idea has a sense of solar scope that
dwarfs us, Mr. Reich. This is a wrap-up and blast!"
"Start an immediate campaign to locate the Jumper Girl. Get every salesman
onto it. Comb the city. I want the girl to be about twenty-five. About
five-five tall; weighting a hundred and twenty pounds. I want her built. Lots
of appeal."
"Check, Mr. Reich. Check."
"She ought to be a blonde with dark eyes. Full mouth. Good strong nose. Here's
a sketch of my idea of the Jumper Girl. Look it over, have it reproduced and
passed out to your crew. There's a promotion for the man who locates the girl
I have in mind."


Tate to Reich: I've been peeping the police. They're sending a man into
Monarch to dig up collusion between you and that appraiser, Graham.
Reich to Tate: Let 'em. There isn't anything, and Graham's left town on a
buying spree. Something between me and Graham! Powell couldn't be that dumb,
could he? Maybe I've been overrating him.


Expense was no object to a squadman, now in plainclothes, who believed in the
disguises of plastic surgery. Freshly equipped with mongoloid features, he
took a job in Monarch Utilities' Accounting-city and attempted to unearth
Reich's financial relations with Graham, the appraiser. It never occurred to
him that his intent had been peeped by Monarch's Esper Personnel Chief,
reported upstairs, and that upstairs was quietly chuckling.


Powell to staff: Our stooge was looking for bribery recorded in Monarch's
books. This should lower Reich's opinion of us by fifty per cent; which makes
him fifty per cent more vulnerable. Pass the word. Where's that girl?


At the board meeting of "The Hour," the only round-the-clock paper on earth,
twenty-four editions a day, Reich announced a new Monarch charity.
"We're calling it `Sanctuary'," he said. "We offer aid and comfort and
sanctuary to the city's submerged millions in their time of crisis. If you've
been evicted, bankrupted, terrorized, swindled... If you're frightened, for
any reason and don't know where to turn... If you're desperate... Take
Sanctuary."
"It's a terriffic promotion," the managing editor said, "but it'll cost like
crazy. What's it for?"
"Public Relations," Reich snapped. "I want this to hit the next edition. Jet!"
Reich left the board room, went down to the street and located a public phone
booth. He called "Recreation" and gave careful instructions to Ellery West. "I
want a man placed in every Sanctuary office in the city. I want a full
description and photo of every applicant relayed to me at once. At once,
Ellery. As they come in."
"I'm not asking any questions, Ben, but I wish I could peep you on that."
"Suspicious?" Reich snarled.
"No. Just curious."
"Don't let it kill you."
As Reich left the booth, a man clothed in an air of inept eagerness
accosted him.
"Oh, Mr. Reich. Lucky I bumped into you. I just heard about Sanctuary and I
thought a human interest interview with the originator of this wonderful new
charity might---"
Lucky he bumped into him! The man was the "Industrial Critic's" famous peeper
reporter. Probably tailed him down and---Tenser, said the Tensor. Tenser,
said the Tensor. Tension, apprehension, and dissention have begun.

"No comment," Reich mumbled. Eight, sir; seven, sir; six, sir; five, sir...
"What childhood episode in your life brought about the realization of this
crying need for---"
Four, sir; three, sir; two, sir; one...
"Was there ever a time when you didn't know where to turn? Were you ever
afraid of death or murder? Were---"
Tenser, said the Tensor. Tenser, said the Tensor. Tension, apprehension, and
dissention have begun.

Reich dove into a Public Jumper and escaped.


Tate to Reich: The cops are really after Graham. They've got their entire Lab
looking for the appraiser. God knows what kind of red-herring Powell's
following, but it's away from you. I think the safety margin's increasing.
Reich to Tate: Not until I've found that girl.


Marcus Graham had left no forwarding address and was pursued by half a dozen
impractical tracer-robots dug up by the police lab. They were accompanied by
their impractical inventors to various parts of the solar system. In the
meantime, Marcus Graham had arrived on Ganymede where Powell located him at an
auction of rare primitive books conducted at break-neck speed by a peeper
auctioneer. The books had been part of the Drake estate, inherited by Ben
Reich from his mother. They had been unexpectedly dumped on the market.
Powell interviewed Graham in the foyer of the auction room, before a crystal
port overlooking the arctic tundra of Ganymede with the belted red-brown bulk
of Jupiter filling the black sky. Then Powell took the Fortnighter back to
Earth, and Dishonest Abe was inspired by a pretty stewardess to disgrace him.
Powell was not a happy man when he arrived at headquarters, and Wynken,
Blynken, and Nod did some salacious wynking, blynking and nodding.


Powell to staff: No hope. I don't know why Reich even bothered to decoy Graham
to Ganymede with that sale.
Beck to Powell: What about the game book?
Powell to Beck: Reich bought it, had it appraised, and sent it as a gift. It
was in bad condition and the only game Maria could select was `Sardine.' We'll
never get Mose to pin anything on Reich with that. I know how that machine's
mind works. Damn it! Where's that girl!


Three low-grade operatives in succession were smitten with Miss Duffy Wyg& and
retired in disgrace to don their uniforms once more. When Powell finally
reached her, she was at the "4,000" Ball. Miss Wyg& was delighted to talk.


Powell to staff: I called Ellery West down at Monarch and he supports Miss
Wyg&'s story. West did complain about gambling and Reich bought a psych-song
to stop it. It looks like he picked up that mind-block by accident. What about
that gimmick Reich used on the guards? And what about that girl?


In response to bitter criticism and loud laughter, Commissioner Crabbe gave an
exclusive press interview in which he revealed that Police Laboratories had
discovered a new investigation technique which would break the D'Courtney Case
within 24 hours. It involved photographic analysis of the Visual Purple in the
corpse's eyes which would reveal a picture of the murderer. Rhodopsin
researchers were being requisitioned by the police.
Unwilling to run the risk of having Wilson Jordon, the physiologist who had
developed the Rhodopsin Ionizer for Monarch picked up and questioned by the
police, Reich phoned Keno Quizzard and devised a ruse to get Dr. Jordon off
the planet.
"I've got an estate on Callisto," Reich said. "I'll relinquish title and let a
court throw it up for grabs. I'll make sure the cards are stacked for Jordon."
"And I tell Jordon?" Quizzard asked in his sour voice.
"We won't be that obvious, Keno. We can't leave a back-trail. Call Jordon.
Make him suspicious. Let him find out the rest for himself."
As a result of that conversation, an anonymous person with a sour voice phoned
Wilson Jordon and casually attempted to purchase Dr. Jordon's interest in the
Drake estate on Callisto for a small sum. The sour voice sounded suspicious to
Dr. Jordon, who had never heard of the Drake estate, and he called a lawyer.
He was informed that he had just become the probable legatee to half a million
credits. The astonished physiologist jetted for Callisto one hour later.


Powell to staff: We've flushed Reich's man into the open. Jordon must be our
lead on the Rhodopsin angle. He's the only Visual Physiologist to disappear
after Crabbe's announcement. Pass the word to Beck to tail him to Callisto and
handle it. What about that girl?


Meanwhile, the slick side of operation Rough & Smooth was quietly in progress.
While Maria Beaumont was occupying Reich's attention with her squawking
flight, a bright young attorney from Monarch's legal department was deftly
decoyed to Mars and held there anonymously on a valid, if antiquated, vice
charge. An astonishing duplication of that young attorney went to work for
him.


Tate to Reich: Check your legal department. I can't peep what's going on,
but something's fishy. This is dangerous.


Reich brought in an Esper 1 Efficiency Expert, ostensibly for a general
check-up, and located the substitution. Then he called Keno Quizzard. The
blind croupier produced a plaintiff who suddenly appeared and sued the bright
young attorney for barratry. That ended the substitute's connection with
Monarch painlessly and legitimately.


Powell to staff: Damn it! We're being licked. Reich's slamming every door in
our face... Rough & Smooth. Find out who's doing the legwork for him, and find
that girl.


While the squadman was cavorting around Monarch Tower with his brand new
mongolian face, one of Monarch's scientists who had been badly hurt in a
laboratory explosion, apparently left the hospital a week early and reported
back for duty. He was heavily bandaged, but eager for work. It was the old
Monarch spirit.


Tate to Reich: I've finally figured it. Powell isn't dumb. He's running his
investigation on two levels. Don't pay any attention to the one that shows.
Watch out for the one underneath. I've peeped something about a hospital.
Check it.


Reich checked. It took three days and then he called Keno Quizzard again.
Monarch was promptly burgled of Cr. 50,000 in laboratory platinum and the
Restricted Room was destroyed in the process. The newly returned scientist was
unmasked as an imposter, accused of complicity in the crime, and handed over
to the police.


Powell to staff: Which means we'll never prove Reich got that Rhodopsin stuff
from his own lab. How in God's name did he un-slick our trick? Can't we do
anything on any level? Where's that girl?


While Reich was laughing at the ludicrous robot search for Marcus Graham, his
top brass was greeting the Continental Tax Examiner, an Esper 2, who had
arrived for a long delayed check on Monarch Utilities & Resources' books. One
of the new additions to the Examiner's squad was a peeper ghost-writer who
prepared her chiefs reports. She was an expert in official work... mainly
police work.


Tate to Reich: I'm suspicious ot that Examiner's squad. Don't take any
chances.


Reich smiled grimly and turned his public books over to the squad. Then he
sent Hassop, his Code Chief, to Spaceland on that promised vacation. Hassop
obligingly carried a small spool of exposed film with his regular photographic
equipment. That spool contained Monarch's secret books, cased in a thermite
seal which would destroy all records unless it was properly opened. The only
other copy was in Reich's invulnerable safe at home.


Powell to staff: And that just about ends everything. Have Hassop
double-tailed; Rough & Smooth. He's probably got vital evidence on him, so
Reich's probably got him beautifully protected. Damn it, we're licked. I say
it. Old Man Mose would say it. You know it. For Christ's sake! Where is that
goddamn missing girl?


Like an anatomical chart of the blood system, colored red for the arteries and
blue for the veins, the underworld and overworld spread their networks. From
Guild headquarters the word passed to instructors and students, to their
families, to their friends, to their friends' friends, to casual
acquaintances, to strangers met in business. From Quizzard's Casino the word
was passed from croupier to gamblers, to confidence men, to the heavy
racketeers, to the light thieves, to hustlers, steerers, and suckers, to the
shadowy fringe of the semi-crook and near-honest.


On Friday morning, Fred Deal, Esper 3, awoke, arose, bathed, breakfasted, and
departed to his regular job. He was Chief Guard on the floor of the Mars
Exchange Bank down on Maiden Lane. Stopping to buy a new commutation ticket at
the Pneumatique, he passed the time with an Esper 3, on duty at the
Information Desk, who passed Fred the word about Barbara D'Courtney. Fred
memorized the TP picture she flashed him. It was a picture framed in credit
signs.
On Friday morning, Snim Asj was awakened by his landlady, Chooka Frood, with a
loud scream for back rent.
"For chrissakes, Chooka," Snim mumbled. "You already makin' a frabby
fortune with 'at loppy yella head girl you pick up. You runnin' a golmine
withat spook stuff down-inna basement. Whaddya want from me?"
Chooka Frood pointed out to Snim that: A) The yellow-headed girl was not
crazy. She was a genuine medium. B) She (Chooka) did not run rackets. She was
a legitimate fortune teller. C) If he (Snim) did not come through with six
weeks roof and rolls, she (Chooka) would be able to tell his fortune without
any trouble at all. Snim would be out on his asphalt.
Snim arose, and already dressed, descended into the city to pick up a few
credits. It was too early to run up to Quizzard's and work the sob on the more
prosperous clients. Snim tried to sneak a ride uptown on the Pneumatique. He
was thrown out by the peeper change clerk and walked. It was a long haul to
Jerry Church's hockshop, but Snim had a gold and pearl pocket-pianino up there
and he was hoping to cadge Church into advancing another sovereign on it.
Church was absent on business and the clerk could do nothing for Snim. They
passed the time. Snim told the sob to the clerk about his bitch landlady
crowning herself every day with the new spook-shill she was using in her
palm-racket and still trying to milk him when she was rolling. The clerk would
not weep even for the price of coffee. Snim departed.
When Jerry Church returned to the bookshop for a brief time-out in his wild
quest for Barbara D'Courtney, the clerk reported Snim's visit and
conversation. What the clerk did not report, Church peeped. Nearly fainting,
he tottered to the phone and called Reich. Reich could not be located. Church
took a deep breath and called Keno Quizzard.
Meanwhile, Snim was growing a little desperate. Out of that desperation
arose his crazy decision to work the bank teller graft. Snim trudged downtown
to Maiden Lane and cased the banks in that pleasant esplanade around Bomb
Inlet. He was not too bright and made the mistake of selecting the Mars
Exchange as his battlefield. It looked dowdy and provincial. Snim had not
learned that it is only the powerful and efficient institutions that can
afford to look second-rate.
Snim entered the bank, crossed the crowded main flood to the row of desks
opposite the tellers' cages, and stole a handful of deposit slips and a pen.
As Snim left the bank, Fred Deal glanced at him once, then motioned wearily to
his staff.
"See that little louse?" He pointed to Snim who was disappearing through
the front door. "He's getting ready to pull the `Adjustment' routine."
"Want us to send him, Fred?"
"What the hell's the use? He'll only try it on someone else. Let him go
ahead with it. We'll pick him up after he's got the money and get a
conviction. Stash him for keeps. There's plenty of room in Kingston."
Unaware of this, Snim lurked outside the bank, watching the tellers' cages
closely. A solid citizen was making a withdrawal at Cage Z. The teller was
passing over big chunks of paper cash. This was the fish. Snim hastily removed
his jacket, rolled up his sleeves, and tucked the pen in his ear.
As the fish came out of the bank, counting his money, Snim slipped behind him,
darted up and tapped the man's shoulder.
"Excuse me, sir," he said briskly. "I'm from Cage Z. I'm afraid our teller
made a mistake and short-counted you. Will you come back for the adjustment
please?" Snim waved his sheaf of slips, gracefully swept the money from the
fish's fins and turned to enter the bank. "Right this way, sir," he called
pleasantly. "You have another hundred coming to you."
As the surprised solid citizen followed him, Snim darted busily across the
floor, slipped into the crowd and headed for the side exit. He would be out
and away before the fish realized he'd been gutted. It was at this moment that
a rough hand grasped Snim's neck. He was swung around face to face with a Bank
Guard. In one chaotic instant, Snim contemplated fight, flight, bribery,
pleas, Kingston Hospital, the bitch Chooka Frood and her yellow-headed ghost
girl, his pocket-pianino and the man who owned it. Then he collapsed and wept.
The peeper guard flung him to another uniform and shouted: "Take him, boys.
I've just made myself a mint!"
"Is there a reward for this little guy, Fred?"
"Not for him. For what's in his head. I've got to call the Guild."
At nearly the same moment late Friday afternoon, Ben Reich and Lincoln
Powell received the identical information: "Girl answering to the description
of Barbara D'Courtney can be found in Chooka Frood's Fortune Act, 99 Bastion
West Side."





9



Bastion West Side, famous last bulwark in the Siege of New York, was dedicated
as a war memorial. Its ten torn acres were to be maintained in perpetuity as a
stinging denunciation of the insanity that produced the final war. But the
final war, as usual, proved to be the next-to-the-final, and Bastion West
Side's shattered buildings and gutted alleys were patched into a crazy slum by
squatters.
Number 99 was an eviscerated ceramics plant. During the war a succession of
blazing explosions had burst among the stock of thousands of chemical glazes,
fused them, and splashed them into a wild rainbow reproduction of a lunar
crater. Great splotches of magneta, violet, bice green, burnt umber, and
chrome yellow were burned into the stone walls. Long streams of orange,
crimson, and imperial purple had erupted through windows and doors to streak
the streets and surrounding ruins with slashing brush strokes. This became the
Rainbow House of Chooka Frood.
The top floors had been patched and subdivided into a warren of cells so
complicated and confused that only Chooka understood the pattern of the maze,
and even Chooka herself was in doubt at times. A man could drift from cell to
cell while the floors were being searched, and easily slip through the meshes
of the finest dragnet. This unusual complexity netted Chooka large profits
each year.
The lower floors were given over to Chooka's famous Frab joint, where, for a
sufficient sum, a consummate expert graciously MC'd the well-known vices for
the hungry and upon occasion invented new vices for the satiated. But the
celler of Chooka Frood's house was the phenomenon that had inspired her most
lucrative industry.
The war explosions that had turned the building into a rainbow crater had also
fused the ceramic glazes, the metals, glasses, and plastics in the old plant;
and a molten conglomerate had oozed down through the floors to settle on the
floor of the lowest vault and harden into shimmering pavement, crystal in
texture, phosphorescent in color, strangely vibrant and singing.
It was worth the hazardous trip to Bastion West Side. You threaded your way
through twisting streets until you reached the streak of jagged orange that
pointed to the door of Chooka's Rainbow House. At the door you were met by a
solemn person in XXth Century formal costume who asked: "Frab or Fortune,
sir?" If you replied "Fortune" you were conducted to a sepulchral door where
you paid a gigantic fee and were handed a phosphor candle. Holding the candle
aloft, you walked down a steep stone staircase. At the very bottom it turned
sharply and abruptly disclosed a broad, long, arched cellar filled with a lake
of singing fire.
You stepped onto the surface of that lake. It was smooth and glassy. Under the
surface glowed and flickered a constant play of pastel borealis. At every step
the crystal hummed sweet chords, throbbing like the prolonged over-tones of
bronze bells. If you sat motionless, the floor still sang, responding to
vibrations from distant streets.
Around the rim of the cellar, on stone benches, sat the other fortune-seekers,
each holding his phosphor candle. You looked at them, sitting silent and awed,
and suddenly you realized that each of them looked saintly, glowing with the
aura of the floor; and each of them sounded saintly, their bodies echoing the
music of the floor. The candles looked like stars on a frosty night.
You joined the throbbing, burning silence and sat quietly, until at last there
came the high chime of a silver bell repeated over and over. The entire floor
took up the resonance, and the strange relationship of sight and sound made
the colors flare up brilliantly. Then, clothed in a cascade of flaming music,
Chooka Frood entered the cellar and paced to the center of the floor.
"And there, of course, the illusion ends," Lincoln Powell said to himself. He
stared at Chooka's blunt face; the thick nose, flat eyes, and corroded mouth.
The borealis flickered around her features and tightly gowned figure, but it
could not disguise the fact that although she had ambition, avarice, and
ingenuity, she was utterly devoid of sensitivity and clairvoyance.
"Maybe she can act," Powell muttered hopefully.
Chooka stopped in the middle of the floor, looking much like a vulgar Medusa,
then lifted her arms in what was intended for a sweeping mystic gesture.
"She can't," Powell decided.
"I am come here to you," Chooka intoned in a hoarse voice, "to help you look
into the deeps of your hearts. Look down into your hearts, you which are
looking for..." Chooka hesitated, then ran on: "You which are looking for
revenge on a man named Zerlen from Mars... For the love of a red-eyed woman of
Callisto... For every credit of that rich old uncle in Paris... For..."
"Why, damn me! The woman's a peeper!"
Chooka stiffened. Her mouth hung open.
"You're receiving me, aren't you, Chooka Frood?"
The telepathic answer came in frightened fragments. It was obvious that Chooka
Frood's natural ability had never been trained. "Wha... ? Who? Which is...
you?
"
As carefully as if he were communicating with an infant 3rd, Powell spelled it
out: "Name: Lincoln Powell. Occupation: Police Prefect. Intent: To question a
girl named Barbara D'Courtney. I have heard she's participating in your act.
"
Powell transmitted a picture of the girl.
It was pathetic the way Chooka tried to block. "Get... out. Out. Out of
here. Get. Get out. Out...
"
"Why haven't you come to the Guild? Why aren't you in contact with your
own people?
"
"Get out. Out of here. Peeper! Get out."
"You're a peeper, too. Why haven't you let us train you? What kind of a life
is this for you? Mumbo Jumbo... Picking sucker brains and turning it all into
a Fortune Act. There's real work waiting for you, Chooka.
"
"Real money?"
Powell repressed the wave of exasperation that rose up in him. It was not
exasperation with Chooka. It was anger for the relentless force of evolution
that insisted on endowing man with increased powers without removing the
vestigial vices that prevented him from using them.
"We'll talk about that later, Chooka. Where's the girl?"
"No girl. There is no girl."
"Don't be an ass, Chooka. Peep the customers with me. That old goat obsessed
with the red-eyed woman...
" Powell explored him gently. "He's been here
before. He's waiting for Barbara D'Courtney to come in. You dress her in
sequins. You bring her on in half an hour. He likes her looks. She does some
kind of trance routine to music. Her dress is slit open and he likes that.
She---
"
"He's crazy. I never---"
"And the woman who was loused by a man named Zerlen? She's seen the girl
often. She believes in her. She's waiting for her. Where's the girl, Chooka?
"
"No!"
"I see. Upstairs. Where, upstairs, Chooka? Don't try to block, I'm deep
peeping. You can't misdirect a 1st---I see. Fourth room on the left of the
angle turn. That's a complicated labyrinth you've got up there, Chooka. Let's
have it again to make sure...
"
Helpless and mortified, Chooka suddenly shrieked:
"Get out of here, you goddam cop! Get the hell out of here!"
"Excuse it, please," said Powell. "I'm on my way."
He rose and left the room.
That entire telepathic investigation took place within the second it took
Reich to move from the eighteenth to the twentieth step on his way down to
Chooka Frood's rainbow cellar. Reich heard Chooka's furious screech and
Powell's reply. He turned and shot up the stairs to the main floor.
As he jostled past the door attendant, he thrust a sovereign into the man's
hand and hissed: "I wasn't here. Understand?"
"No one is ever here, Mr. Reich."
He made a quick circuit of the frab rooms. Tenser, said the Tensor. Tenser,
said the Tensor. Tension, apprehension, and dissension have begun.
He brushed
past the girls who variously solicited him, then locked himself into the phone
booth and punched BD-12,232.
Church's anxious face appeared on the screen.
"Well, Ben?"
"We're in a jam. Powell's here."
"Oh my God!"
"Where in hell is Quizzard?"
"He isn't there?"
"I can't locate him."
"But I thought he'd be down in the cellar. He---"
"Powell was in the cellar, peeping Chooka. You can bet Quizzard wasn't there.
Where in hell is he?"
"I don't know, Ben. He went down with his wife, and---"
"Look, Jerry. Powell must have found the girl's location. I've got maybe five
minutes to beat him to her. Quizzard was supposed to do that for me. He isn't
in the cellar. He's nowhere in the Frab Joint. He---"
"He must be upstairs in the coop."
"I was going to figure that for myself. Listen, is there a quick way to get up
to the coop? A short-cut I can use to beat Powell to her?"
"If Powell peeped Chooka, he peeped the shortcut."
"God damn it, I know that. But maybe he didn't. Maybe he was concentrating on
the girl. It's a chance I'll have to take."
"Behind the main stairs. There's a marble bas-relief. Turn the woman's head to
the right. The bodies separate and there's a door to a vertical pneumatique."
"Right."
Reich hung up, left the booth, and darted to the main stairs. He turned to the
rear of the marble staircase, found the bas-relief, twisted the woman's head
savagely and watched the bodies swing apart. A steel door appeared. A panel of
buttons was set in the lintel. Reich punched TOP, yanked the door open and
stepped into the open shaft. Instantly a metal plate jolted up against his
soles and with a hiss of air pressure he was lofted eight stories to the top
floor. A magnetic catch held the plate while he opened the shaft door and
stepped out.
He found himself in a corridor that slanted up at an angle of thirty degrees
and leaned to the left. It was floored with canvas. The ceiling glowed at
intervals with small flickering globes of radon. The walls were lined with
doors, none of them numbered.
"Quizzard!" Reich shouted.
There was no answer.
"Keno Quizzard!"
Still no answer.
Reich ran halfway up the corridor, and then at a venture tried a door. It
opened to a narrow cubby entirely filled with an oval bed. Reich tripped over
the edge of the bed and fell. He crawled across the foam mattress to a door on
the opposite side, thrust it open, and fell through. He found himself on a
landing. A flight of steps led down to a round anteroom rimmed with doors.
Reich tumbled down the steps and stood, breathing heavily, staring at the
circle of doors.
"Quizzard!" he shouted again. "Keno Quizzard!"
There was a muffled reply. Reich spun on his heels, ran to a door and pulled
it open. A woman with eyes dyed red by plastic surgery was standing just
inside and Reich blundered against her. She burst into unaccountable laughter,
raised both fists and beat his face. Blinded and bewildered, Reich backed away
from the powerful red-eyed woman, reached for the door, apparently missed it
and seized the knob of another, for when he backed out of the room it was not
into the circular foyer. His heels caught in three inches of plastic quilting.
He tumbled over backwards, slamming the door as he fell, and struck his head a
stunning blow against the edge of a porcelain stove.
When his vision cleared he found himself staring up into the angry face of
Chooka Frood.
"What the hell are you doing in my room?" Chooka screamed.
Reich shot to his feet. "Where is she?" he said.
"You get to hell out of here, Ben Reich."
"I asked you where is she? Barbara D'Courtney. Where is she?"
Chooka turned her head and yelled: "Magda!"
The red-eyed woman came into the room. She held a neuron scrambler in her hand
and she was still laughing; but the gun was trained on his skull and never
wavered.
"Get out of here," Chooka repeated.
"I want the girl, Chooka. I want her before Powell gets her. Where is she?"
"Get him out of here, Magda!" Chooka screamed.
Reich clubbed the woman across the eyes with the back of his hand. She fell
backward, dropping the gun, and twitched in a corner, still laughing. Reich
ignored her. He picked up the scrambler and rammed it against Chooka's temple.
"Where's the girl?"
"You go to hell, you---"
Reich pulled the trigger back into first notch. The radiation charged Chooka's
nervous system with a low induction current. She stiffened and began to
tremble. Her skin glistened with sudden sweat, but she still shook her head.
Reich yanked the trigger back to second notch. Chooka's body was thrown into a
break-bone ague. Her eyes started. Her throat emitted the brute groans of a
tortured animal. Reich held her in it for five seconds, then cut the gun.
"Third notch is death notch," he growled. "The Big D. I don't give a curse,
Chooka. It's Demolition for me one way or the other if I don't get that girl.
Where is she?"
Chooka was almost completely paralyzed. "Through... door," she croaked.
"Fourth room... Left... After turn."
Reich dropped her. He ran across the bedroom, through the door, and came to a
corkscrewed ramp. He mounted it, took a sharp turn, counted doors and stopped
before the fourth on the left. He listened for an instant. No sound. He thrust
open the door and entered. There was an empty bed, a single dresser, an empty
closet, a single chair.
"Gulled, by God!" he cried. He stepped to the bed. It showed no sign of use.
Neither did the closet. As he turned to leave the room, he yanked at the
middle dresser drawer and tore it open. It contained a frost white silk gown
and a stained steel object that looked like a malignant flower. It was the
murder weapon; the knife-pistol.
"My God!" Reich breathed. "Oh my God."
He snatched up the gun and inspected it. It's chambers still contained the
emasculated cartridges. The one that had blown the top of Craye D'Courtney's
head out was still in place under the hammer.
"It isn't Demolition yet," Reich muttered. "Not by a damned sight. No, by
Christ, not by a damned sight!" He folded up the knife-pistol and thrust it
into his pocket. At that moment he heard the sound of distant laughter... a
sour laugh. Quizzard's laugh.
Reich stepped quickly to the twisted ramp and followed the sound of the
laughter to a plush door hung open on brass hinges and deep set in the wall.
Gripping the scrambler at the alert with the trigger set for Big D, Reich
stepped through the door. There was a hiss of compressed air and it closed
behind him.
He was in a small round room, walled and ceilinged in midnight velvet. The
floor was transparent crystal, and gave a clear uninterrupted view of a
boudoir on the floor below. It was Chooka's Voyeur Chamber.
In the boudoir, Quizzard sat in a deep chair, his blind eyes glazing. The
D'Courtney girl was perched on his lap wearing an astonishing slit gown of
sequins. She sat quietly, her yellow hair smooth, her deep dark eyes staring
placidly into space, while Quizzard fondled her brutally.
"How does she look?" Quizzard's sour voice came distinctly. "How does she
feel?"
He was speaking to a small faded woman who stood across the boudoir from him
with her back against the wall and an incredible expression of agony on her
face. It was Quizzard's wife.
"How does she look?" the blind man repeated.
"She doesn't know what's happening," the woman answered.
"She knows," Quizzard shouted. "She isn't that far gone. Don't tell me she
don't know what's happening. Christ! If I only had my eyes!"
The woman said: "I'm your eyes, Keno."
"Then look for me. Tell me!"
Reich cursed and aimed the scrambler, at Quizzard's head. It could kill
through the crystal floor. It could kill through anything. It was going to
kill now. Then Powell entered the boudoir.
The woman saw him at once. She emitted a bloodcurdling scream: "Run, Keno!
Run!" She thrust herself from the wall and darted toward Powell, her hands
clawing at his eyes. Then she tripped and fell prone. Apparently, the fall
knocked her unconscious for she never moved. As Quizzard surged up from the
chair with the girl in his arms, his blind eyes staring, Reich came to the
appalled conclusion that the woman's fall was no accident; for Quizzard
suddenly dropped in his tracks. The girl tumbled out of his arms and fell into
the chair.
There was no doubt that Powell had accomplished this on a TP level, and for
the first time in their war, Reich was afraid of Powell... physically afraid.
Again he aimed the scrambler, this time at Powell's head as the peeper walked
to the chair.
Powell said: "Good evening. Miss D'Courtney."
Reich muttered: "Goodbye, Mr. Powell," and tried to hold his trembling hand
steady on Powell's skull.
Powell said: "Are you all right. Miss D'Courtney?" When the girl failed to
answer, be bent down and stared into her blank placid face. He touched her arm
and repeated: "Are you all right, Miss D'Courtney? Miss D'Courtney! Do you
need help?"
At the word "help" the girl whipped upright in the chair in a listening
attitude. Then she thrust out her legs and leaped from the chair. She ran past
Powell in a straight line, stopped abruptly and reached out as though grasping
a doorknob. She turned the knob, thrust an imaginary door open and burst
forward, yellow hair flying, dark eyes wide with alarm... A lightning flash of
wild beauty.
"Father!" she screamed. "For God's sake! Father!" She ran forward, then
stopped short and backed away as though eluding someone. She darted to the
left and ran in a half circle, screaming wildly, her eyes fixed.
"No!" she cried. "No! For the love of Christ! Father!"
She ran again, then stopped and struggled with imaginary arms that held her.
She fought and screamed, her eyes still fixed, then stiffened and clapped her
hands to her ears as though a violent sound had pierced them. She fell forward
to her knees and crawled across the floor, moaning in pain. Then she stopped,
snatched at something on the floor, and remained crouched on her knees, her
face once again placid, doll-like and dead.
With sickening certainty, Reich knew what the girl had just done. She had
relived the death of her father. She had relived it for Powell. And if he had
peeped her...
Powell went to the girl and raised her from the floor. She arose as gracefully
as a dancer, as serenely as a somnambulist. The peeper put his arm around her
and took her to the door. Reich followed him all the way with the muzzle of
the scrambler, waiting for the best shooting angle. He was invisible. His
unsuspecting enemies were below him, easy targets for the death-notch. He
could win safety with a shot. Powell opened the door, then suddenly swung the
girl around, held her close to him and looked up. Reich caught his breath.
"Go ahead," Powell called. "Here we are. An easy shot. One for the both of us.
Go ahead!" His lean face was suffused with anger. The heavy jet brows scowled
over the dark eyes. For half a minute he stared up at the invisible Reich,
waiting, hating, daring. At last Reich lowered his eyes and turned his face
away from the man who could not see him.
Then Powell took the docile girl through the door and closed it quietly behind
him, and Reich knew he had permitted safety to slip through his fingers. He
was halfway to Demolition.





10



Conceive of a camera with a lens distorted into wild astigmatism so that it
can only photograph the same picture over and over---the scene that twisted it
into shock. Conceive of a bit of recording crystal, traumatically warped so
that it can only reproduce the same fragment of music over and over, the one
terrifying phrase it cannot forget.
"She's in a state of Hysterical Recall," Dr. Jeems of Kingston Hospital
explained to Powell and Mary Noyes in the living room of Powell's house. "She
responds to the key word `help' and relives one terrifying experience..."
"The death of her father," Powell said.
"Oh? I see. Outside of that... Catatonia."
"Permanent?" Mary Noyes asked.
Young Doctor Jeems looked surprised and indignant. He was one of the brighter
young men of Kingston Hospital despite the fact that he was not a peeper, and
was fanatically devoted to his work. "In this day and age? Nothing is
permanent except physical death, Miss Noyes, and up at Kingston we've started
working on that. Investigating death from the symptomatic point of view, we've
actually---"
"Later, Doctor," Powell interrupted. "No lectures tonight. We've got work. Can
I use the girl?"
"Use her how?"
"Peep her."
Jeems considered. "No reason why not. I gave her the Déjà Èprouvé Series
for catatonia. That shouldn't get in the way."
"The Déjà Èprouvé Series?" Mary asked.
"A great new treatment," Jeems said excitedly. "Developed by Gart... one of
your peepers. Patient goes into catatonia. It's an escape. Flight from
reality. The conscious mind cannot face the conflict between the external
world and its own unconscious. It wishes it had never been born. It attempts
to revert back to the foetal stage. You understand?"
Mary nodded. "So far."
"All right. Déjà Èprouvé is an old XIXth Century psychiatric term. Literally,
it means: `something already experienced, already tried.' Many patients wish
for something so strongly that finally the wish makes them imagine that the
act or the experience in which they never engaged has already happened. Get
it?"
"Wait a minute," Mary began slowly. "You mean I---"
"Put it this way," Jeems interrupted briskly. "Pretend you had a burning wish
to... oh, say, to be married to Powell and have a family. Right?"
Mary flushed. In a rigid voice she said: "Right." For a moment Powell yearned
to blast this well-meaning clumsy young normal.
"Well," Jeems continued in blithe ignorance. "If you lost your balance you
might come to believe that you'd married Powell and had three children. That
would be Déjà Èprouvé. Now what we do is synthesize an artificial Déjà Èprouvé
for the patient. We make the catatonic wish to escape come true. We make the
experience they desire actually happen. We dissociate the mind from the lower
levels, send it back to the womb, and let it pretend it's being born to a new
life all over again. Got that?"
"Got it." Mary tried to smile as her control returned.
"On the surface of the mind... in the conscious level... the patient goes
through development all over again at an accelerated rate. Infancy, childhood,
adolescence, and finally maturity."
"You mean Barbara D'Courtney is going to be a baby... learn to speak...
walk... ?"
"Right. Right. Right. Takes about three weeks. By the time she catches up with
herself, she'll be ready to accept the reality she's trying to escape. She'll
have grown up to it, so to speak. Like I said, this is only on the conscious
level. Below that, she won't be touched. You can peep her all you like. Only
trouble is... she must be pretty scared down there. Mixed up. You'll have
trouble getting what you want. Of course, that's your specialty. You'll know
what to do."
Jeems stood up abruptly. "Got to get back to the shop." He made for the front
door. "Delighted to be of service. Always delighted to be called in by
peepers. I can't understand the recent hostility toward you people..." He was
gone.
"Ummm. That was a significant parting note."
"What'd he mean, Linc?"
"Our great & good friend, Ben Reich. Reich's been backing an Anti-Esper
campaign. You know... peepers are clannish, can't be trusted, never become
patriots. Interplanetary conspirators, eat little Normal babies, &c."
"Ugh! And he's supporting the League of Patriots too. He's a disgusting,
dangerous man."
"Dangerous but not disgusting, Mary. He's got charm. That's what makes him
doubly dangerous. People always expect villains to look villainous. Well,
maybe we can take care of Reich before it's too late. Bring Barbara down,
Mary.
"
Mary brought the girl downstairs and seated her on the low dais. Barbara sat
like a calm statue. Mary had dressed her in blue leotards and combed her
blonde hair back, tying it into a fox-tail with blue ribbon. Barbara was
polished and shining; a lovely waxwork loll.
"Lovely outside; mangled inside. Damn Reich!"
"What about him?"
"I told you, Mary. I was so mad at Chooka Frood's coop, I handed it to that
red slug Quizzard and his wife... And when I peeped Reich upstairs, I threw it
in his teeth. I---"
"What did you do to Quizzard?"
"Basic Neuro-Shock. Come up to the Lab sometime and we'll show you. It's new.
If you make 1st we'll teach you. It's like the scrambler but psychogenic."
"Fatal?"
"Forgotten the Pledge? Of course not."
"And you peeped Reich through the floor? How?"
"TP reflection. The Voyeur Chamber wasn't wired for sound. It had open
acoustical ducts. Reich's mistake. He was transmitting down the channel and I
swear I was hoping he had the guts to shoot. I was going to blast him with a
Basic that would have made Case History."
"Why didn't he shoot?"
"I don't know, Mary. I don't know. He thought he had every reason to kill us.
He thought he was safe... Didn't know about the Basic, even though Quizzard's
Decline & Fall jolted him... But he couldn't."
"Afraid?"
"Reich's no coward. He wasn't afraid. He just couldn't. I don't know why.
Maybe next time it'll be different. That's why I'm keeping Barbara D'Courtney
in my house. She'll be safe here."..
"She'll be safe in Kingston Hospital."
"But not quiet enough for the work I've go to do."
"?"
"She's got the detailed picture of the murder locked up in her hysteria. I've
got to get at it... piece by piece. When I've got it, I've got Reich.
"
Mary arose. "Exit Mary Noyes."
"Sit down, peeper! Why d'you think I called you? You're staying here with the
girl. She can't be left alone. You two can have my bedroom. I'll convert the
study for myself."
"Choke it, Linc. Don't jet off like that. You're embarrassed. Let's see if I
can't maybe thread-needle through that mind block."
"Listen---"
"No you don't, Mr. Powell." Mary burst into laughter. "So that's it. You
want me for a chaperone. Victorian word, isn't? So are you, Linc. Positively
atavistic."
"I brand that as a lie. In toffy circles I'm known as the most progressive---"
"And what's that image? Oh. Knights of the Round Table. Sir Galahad Powell.
And there's something underneath that. I---
" Suddenly she stopped laughing
and turned pale.
"What'd you dig?"
"Forget it."
"Oh, come on, Mary."
"Forget it, Linc. And don't peep me for it. If you can't reach it yourself,
you'd better not get it secondhand. Especially from me.
"
He looked at her curiously for a moment, then shrugged. "All right, Mary.
Then we'd better go to work.
"
To Barbara D'Courtney he said: "Help, Barbara."
Instantly she whipped upright on the dais in a listening attitude, and he
probed delicately... Sensation of bedclothes... Voice calling dimly... Whose
voice,
Barbara? Deep in the preconscious she answered: "Who is that?" A
friend, Barbara.
"There's no one. No one. I'm alone." And she was alone,
racing down a corridor to thrust a door open and burst into an orchid room to
see---"What, Barbara?" "A man. Two men." Who? "Go away. Please go away. I
don't like voices. There's a voice screaming. Screaming in my ears..." And she
was screaming while instincts of terror made her dodge from a dim figure that
clutched at her to keep her from her father. She turned and circled... What
is your father doing, Barbara?
"He---No. You don't belong here. There's only
the three of us. Father and me and---" And the dim figure caught her. A flash
of his face. No more. Look again, Barbara. Sleek head. Wide eyes. Small
chiselled nose. Small sensitive mouth. Like a scar. Is that the man? Look at
the picture. Is that the man?
"Yes. Yes. Yes." And then all was gone.
And she was kneeling again, placid, doll-like, dead.
Powell wiped perspiration from his face and took the girl back to the dais. He
was badly shaken... worse than Barbara D'Courtney. Hysteria cushioned the
emotional impact for her. He had nothing. He was reliving her terror, her
horror, her torture, naked and unprotected.
"It was Ben Reich, Mary. Did you get the picture, too?"
"Couldn't stay in long enough, Linc. Had to run for cover."
"It was Reich; all right. Only question is, how in hell did he kill her
father? What did he use? Why didn't old D'Courtney put up a fight to defend
himself? Have to try again. I hate to do this to her..."
"I hate you to do this to yourself."
"Have to." He took a deep breath and said: "Help, Barbara."
Again she whipped upright on the dais in a listening attitude. He slipped in
quickly. Gently, dear. Not so fast. There's plenty of time. "You again?"
Remember, me, Barbara? "No, No, I don't know you. Get out." But I'm part of
you, Barbara. We're running down the corridor together. See? We're opening the
door together. It's so much easier, together. We help each other.
"We?" Yes,
Barbara, you and I
. "But why don't you help me now?" How can I, Barbara?
"Look at father! Help me stop him. Stop him. Stop him. Help me scream. Help
me! For pity's sake, help me!"
She knelt again, placid, doll-like, dead.
Powell felt a hand under his arm and realized he was not supposed to be
kneeling too. The body before him slowly disappeared; the orchid room
disappeared, and Mary Noyes was straining to raise him.
"You first this time," she said grimly.
He shook his head and tried to help Barbara D'Courtney. He fell to the floor.
"All right, Sir Galahad. Cool a while."
Mary raised the girl and led her to the dais. Then she returned to Powell.
"Ready for help now, or don't you think it's manly?"
"The word is virile. Don't waste your time trying to help me up. I need
brain power. We're in trouble."
"What'd you peep?"
"D'Courtney wanted to be murdered."
"No!"
"Yep. He wanted to die. For all I know he may have committed suicide in front
of Reich. Barbara's recall is confused. That point's got to be cleared up.
I'll have to see D'Courtney's physician."
"That's Sam @kins. He and Sally went back to Venus last week."
"Then I'll have to make the trip. Do I have time to catch the ten o'clock
rocket? Call Idlewild.
"


Sam @kins, E.M.D. 1, received Cr. 1,000 per hour of analysis. The public knew
that Sam earned two million credits per year, but it did not know that Sam was
efficiently killing himself with charity work. @kins was one of the burning
lights of the Guild long-range education plan, and leader of the Environment
Clique which believed that telepathic ability was not a congenital
characteristic, but rather a latent quality of every living organism which
could be developed by suitable training.
As a result, Sam's desert house in the brilliant arid Mesa outside Venusburg
was overrun by charity cases. He invited everyone in the low income brackets
to trek their problems out to him, and while he was solving them, he was
carefully attempting to foster telepathy in his patients. Sam's reasoning was
quite simple. If, say, peeping were a question of developing unused muscles,
it might well be that the majority of people had been too lazy or lacked
opportunity to do so. But when a man is caught up in the press of a crisis, he
can not afford to be lazy; and Sam was there to offer opportunity and
training. So far, his results had been the discovery of 2% Latent Espers,
which was under the average of the Guild Institute interviews. Sam remained
undiscouraged.
Powell found him charging through the rock garden of his desert home
vigorously destroying desert flowers under the impression that he was
cultivating, and conducting simultaneous conversations with a score of
depressed people who followed him about like puppies. The perpetual clouds of
Venus radiated dazzling light. Sam's bald head was burned pink. He was
snorting and shouting at plants and patients alike.
"Damn it! Don't you tell me that's a Glow-wart. It's a weed. Don't I know a
weed when I see it? Hand me the rake, Bernard."
A small man in black handed him the rake and said: "My name is Walter, Dr.
@kins."
"And that's your whole trouble," @kins grunted, tearing out a clump of rubbery
red. It changed colors in prismat

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